About Me

I’m a Toronto-based metacognitive researcher and cultural theorist exploring what happens when consciousness learns to edit itself. My work studies how thought can be trained into higher-order mental states capable of pain control, creativity, fame generation, and transcendent discovery.

At the center of my current research is what I call the Fame Gene — not a literal gene, but a psychosocial catalyst, a convergence of charisma, attention physics, and narrative field theory that transforms presence into legend. I approach it as both a biological metaphor and an artistic experiment: what if fame itself is a by-product of awareness learning to refract through culture?

Around this, my writing threads through geopolitics, nutrition, and epistemology, treating them as mirrors of the same human drive — to master perception, to metabolize experience, to turn cognition into art. My creative works — whether essay, photograph, or film fragment — are designed as epistemic traps, appearing simple until the reader realizes the text is studying them back.

I am, above all, a student of stories — photographic, literary, cinematic, and musical — tracing how they encode the hidden architectures of consciousness. Every project asks the same question in a different way:
What happens when awareness becomes self-aware enough to change its own chemistry?

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